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May 2024 Newsletter: Jessy on Improv

9/5/2024

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Greetings from JP!
Things are heating up … literally. As temperatures rise, don’t forget to take good care of yourselves. Try to stay indoors and well-hydrated at all times. 
But that doesn’t mean we can’t stay active and keep learning. May 2nd was Indonesia’s National Education Day, so why not celebrate the whole month of May by learning something new, reading up on things, or polishing an old skill?


MONTHLY FEATURE
We gave a short introduction to improv last month, but many of our members are experienced improv actors! We talked with one of them, Jessy, to learn more about her improv journey and how she got into this wonderful form of acting.

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1.  Would you please introduce yourself?
Hello, I am Jessy (Jessica Happe) from Germany. I moved to Tangerang in August 2023 to teach German, English, Philosophy, and Drama at the German International School Jakarta. I love exploring – new countries, communities, cultures, nature, and arts – of any kind. So here I am – full of curiosity and openness to the unknown.

2. How did you get into improv? 
I have always improvised. As a child when the family culture at my friends’ homes was very different from my own, as a teenager when I had to make sense from the Latin texts I had to translate into German, as a teacher when I had – and still have – to handle funny demeanour, weird questions or confusion of my students, as a traveller and adventurer in any way you may or may not be able to imagine. I think we all do in a way. I always loved it and wanted more. So, when a friend of mine asked me to join her troupe’s rehearsal one day, I was all in.

3. What's your experience with improv so far? 
After I had joined my friend’s troupe in my hometown for about two years, learning all the basics and happily striving in the improv vibe, the pandemic hit. Unlike most people might think right now, this was not the end but my gateway to international improv. 

Thanks to some gorgeous improvisors from Germany who – out of passion, panic, and progressiveness – started online improv festivals, featuring the most gorgeous improv and acting coaches from all over the world, I dived deeper into improv than I had ever dared to imagine before. I participated in uncountable workshops, played and made friends with hundreds of wonderful improvisors sitting in front of their screens in every corner of the planet, tackling the odd situation of the global lockdowns with creativity and joy. With some I even formed international online troupes who kept on rehearsing and performing for another two years. After the pandemic, I took every chance I could get to join festivals, whenever travelling I joined local troupes for jams, rehearsals and shows. 

By now, I have learned from fabulous improv coaches from Europe, the Middle East, Canada, the US, South America, and Oceania. I have performed in Germany, Italy, Australia, and New Zealand. And there are surely more places to come.

~
Stay tuned for next month’s newsletter where Jessy will share about her experience at the Auckland Improv Festival 2024!


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April 2024 Newsletter: The Power of Improv

6/4/2024

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Greetings from JP!
As we are nearing the holy day of Eid al-Fitr, we wish you a joyous Eid full of blessings in advance. The long holiday is nearly upon us. It’s the perfect occasion to spend time with family, friends, or your hobbies. If you’re going out of town, please be mindful of the traffic and stay prepared.


MONTHLY FEATURE

As an art form, acting has different branches, approaches, and schools of thought. One of them is improv (improvisation)  acting, where the actors are not given a script beforehand and they have to adapt to the situation as it develops.

Improv is perhaps most well-known for its comedic potential in improv comedy. In both the UK and the US, the TV show “Whose Line Is It Anyway?” popularizes improv comedy. The show featured comedians in a series of improv games; the most common format had them acting out scenes according to a prompt.

These short improv games are also called short-form improv, typically taking from 2 to 5 minutes with a defined prompt/structure. Alongside it, there’s also long-form improv, which can even run up to 20 or even 30 minutes with minimal prompting. Long-form improv is typically seen as the more difficult of the two, as the actors have to keep track of the ongoing storyline and character traits while progressing the show.

But beyond its comedic value, improv is also an important tool in any theatrical performance. Live shows don’t always go to the script. Actors might forget their lines, set pieces or props might be misplaced, and so on; by having the acumen to improvise one’s lines to get to the next scene without breaking the current scene’s intended mood or meaning, an actor can help move the play along — often without the audience noticing that the show had gone off script.

Improv is also a good way to keep one’s wits sharp, build the good habit of paying attention to one’s fellow actors, and build confidence even when you don’t know what’s about to happen. That’s why improv games are often used in team-building sessions. But, most importantly, they can be really fun!
If you are an actor, or if building any of the above skills sounds good to you, why not try improv with your friends or family?

Here are some of our recommendations to get you started for a great month of April!

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March 2024 Newsletter: What is a Play Reading?

13/3/2024

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Greetings from JP!
‘Tis the rainy season. Prepare your umbrellas and take care on the road. It’s a good season to make a hot cup of cocoa and spend time with friends or family. And if you are observing the month of Ramadan, happy fasting from us.


Last month, we held our first play reading. We plan to hold more readings throughout the year, and we’d love to see you join. But what is a play reading and why do we do it?

A play reading is an event where actors read a script aloud together, without any costuming or other stage elements. The focus is to get a deeper understanding of the script, as well as to see the actors’ interpretation of text.

Last time, we did a play reading for 2:22 A Ghost Story by Danny Robins, led by our artistic director Andrew Trigg. We gained insight on how the play flows scene to scene, as well as the readers’ interpretation of both the plot and the characters. We’re glad to get positive feedback from the attendees as well, with many saying that they greatly enjoyed the script.

Readings don’t always end up in a production of the show, but it is still a vital part of the theater scene. It gives writers, directors, and actors a chance to hone their understanding of plays and what makes them work – or not.

If this sounds intriguing to you, stay tuned because we’re planning our next play reading. You wouldn’t want to miss this curious incident!

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